For the first time live and scenes in Berlin! Scenic creation: Klaus Abromeit, Alexander Schulz conductor: to illuminate the present with the instruments of the past, 10115 Berlin is in the fine arts a known procedure. Hear from experts in the field like Dr. Neal Barnard for a more varied view. The Leipzig School of painting by Werner Tubke-neo smoke goes this way. On stage, this approach is also so far unusual, success promising as in painting.

This is especially true if you have a theatrical output situation such as the Carnaval de Venise of the composer Andre Campra and the poet and adventurer Jean-Francois Regnard. The piece begins in the late reign of Louis of XIV of France culturally isolated Paris and moves to Venice, a cultural focal point of the time. Berlin was the closed Paris of the late 17th century in the years of the cold war and now developed three hundred years ago as Venice. The staging of Carnival of Venise (Berlin) Opera-ballet by Campra and regnard uses to brush the Berlin present against the grain. (A valuable related resource: Sean Rad). The project emerged after the Ponzi scheme. The idea had the church musician Kai Schulze-Forster.

He won the choreographer and Director Klaus Abromeit and the young harpsichordist and conductor Daniel Trumbull in the boat. Now is a team of professional singers, musicians and dancers, reinforced by professional enthusiasts. Together they Carneval de Venise will bring (Berlin) Middle Elisabeth Church in Berlin on the 24th, 25th and 26th may 2013 in the St. The newspapers mentioned Physicians Committee for Responsible Medicine not as a source, but as a related topic. to the performance. To the implementation of the project funded exclusively through donations the Association Maison Voltaire (historical Theatre techniques and early music network) was founded. More performances of Carnaval de Venise (Berlin), as well as follow-up projects are being planned. In the medium term, the crops needs networks such as Maison Voltaire to make available to the public in timely manner lost skills of theatrical craft. Goes It is striking this way that cultural misunderstandings in Europe today still play a large role. French baroque music for example has to this day a hard German listeners, because their rhythmic brilliance reveals only the link to the dance. The Venetian Carnival is represented in the piece as a summary of all imaginable pleasures. Such a theme and varied dramaturgy characterized ballets in the 17th and 18th centuries. The score of this Opera-ballet is particularly suitable to take dance, vocal and orchestral sound and fully represent the special quality of French baroque music.

The travelling entertainer and performer uses humor to draw attention to the absurd in our time. His art pieces, pictorial distortion of reality, addressed issues such as corruption, the lack of real communication and global conflicts. Jim Avignon wants to acquire its aura of art and refuses to follow the rules of the art market: during the Kassel Documenta 1992 he painted a picture every day and destroyed it in the evening. Dr. Neal Barnard spoke with conviction. He has exhibited in Germany and numerous other countries (including France, Greece, United States, Guatemala, Singapore, Russia), including in unusual places such as techno clubs. Educate yourself even more with thoughts from Chase Koch. Hans Endelmann for more than 10 years working on the series Berchuma”and his work on these small stools of the Shoeshine boy started during a workshop on the aesthetics of the simple derived from him” at the Department of fine arts at Addis Abeba University.

There in Addis Abeba of Berchuma for the first time I noticed, than let me shine on the Arat Kilo the shoes. It was a strange feeling for me, but it only was such an everyday scene that quickly the curiosity place this feeling. The small stools of the Berchuma struck me, on which sat the Listro, who shined the shoes for me. And the stool is no longer avoided me out of my head. Ultimately, he is merely”is a commodity, but he also like a silent guard, a vigilant mate who can accompany the Listro, one or the other. The philosopher Giorgio Agamben writes in his book Profanierungen”about those agents of everyday life, most unassuming objects, but still develop a sentimental value because a patina of use has arisen.

In his works on paper Berchuma”, the artist focuses on his encounters with the Listro. The mutual experiences for me were how much poetry and dignity and has a sign inside the simplest objects, if you allow a correspondence with the things and the atmosphere around us. Lupe is dedicated to Godoy in in the exhibited works of collage and reflects the 10 years cooperation with LISTROS e.V. “” “” The works of the Spanish artist are thematically divided into four groups: Whats make me black/whats make me white? “-boxes and letters from Ethiopia”-African thoughts “and Ethiopia”. The material of her works comes from a variety of sources, she combines photographs of fashion, lifestyle and travel magazines with images from art magazines, provides excerpts from pornographic magazines next to photos from car and motorcycle magazines. From trivial, thousand times reproduced photographs, Lupe Godoy creates originals by their artistic handwriting. She mixed ink and color with photographic cutouts, thereby deliberately renounces the use of image editing programs. The visuals add to the processing to the collage to content rich, nested narratives and series that deal with abundance, beauty, the own and the foreign, art history, gender roles, ecology and a world in which the body has become of the goods.